Johanne Luise Heiberg

Johanne Luise Heiberg
1885-1962
Schaupielerin
* November 22, 1812 in Kopenhagen

+ December 21, 1890
[by Dr. Birgitte Possing, Head of the Manuscript Department at the Royal Library]

Johanne Luise Pätges was born in Copenhagen into an Catholic/Jewish family of modest means. She was the next youngest of 9 children. At an early age she showed a talent for dancing and received lessons. At the age of 8 she came to the Royal Danish Theatre's ballet school, where solo dancers instructed her in the classical roles. She soon started to dance children's roles at the theatre and an elderly admirer, J.G. Harboe, introduced her to art and literature. One evening in 1826 she was performing in Poul Martin Møller's Hans and Trine in the presence of the writer Johan Ludvig Heiberg, a central figure of Danish cultural life. He discovered the radiance of her talent and immediately wrote the role of Trine in the vaudeville April Fools for Johanne Luise Heiberg. She was now taken on as a drama pupil at the theatre. Five years later she married Heiberg, who was 21 years her senior. Johanne Luise Heiberg was the greatest actress of the Golden Age. She was the radiant object of the admiration, friendship and support of many leading male personalities in Denmark. On stage, she was the living embodiment of Danish Romanticism. Throughout her life she was her husband's muse, but the other dramatists of the age also took advantage of the range of her talent, from the Romantic passions to the bourgeois graces. The complex characters with strong demonic passions, iron wills and radiant sensuality matched Johanne Luise Heiberg's nature and personality. They included Gudrun in Oehlenschlæger's Kjartan and Gudrun. Johanne Luise Heiberg also sparkled with charm and poetry in comic roles. Her acting against Mikael Wiehe in Henrik Hertz' Ninon (1848) has become a legend in the history of Danish theatre. Whenever Johanne Luise Heiberg performed she revealed new aspects of the human psyche, but she decided to retire when age began to make its mark after J.L. Heiberg died in 1860. She had kept this a secret until her last performance as Elisabeth in Elves' Hill. At that point she had appeared in around 275 roles. From 1867 to 1874 she directed plays at the theatre. Johanne Luise Heiberg's sharp quill also drew attention. As a social critic she was the strong-opinioned voice of the intellectual bourgoisie. As a letter writer she expressed her mind's "nagging, quiet pain". Her most important literary work was Et Liv, gjenoplevet i Erindringen (A Life Recollected), an autobiography in 4 volumes published posthumously. This work is a controversial classic among Danish literary memoires and can still provoke debate. Johanne Luise Heiberg was one of the great Danish actresses of the 19th century and was honoured as the greatest stage performer in the Nordic countries. As director at The Royal Danish Theatre Johanne Luise Heiberg renewed the theatre's repertoire with dramas such as The Newly Wedded Couple and Mary Stuart in Scotland by Bjørnstjerne Bjørnson and Henrik Ibsen's The League of Youth and The Pretenders.

Quelle: "Website der dänischen Landesbank" 2000

up / raufzum schein